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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS II:SPEED
Berlin, October 20th, 2004 - P#277
I watched someone on the train today
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS III:A SMILE SO FORCED
Berlin, October 25th, 2004 - P#278
I've seen you smile so oftentimes
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS IV:DE/ONTOLOGY
Berlin, October 25th, 2004 - P#279
there's some things you know
you know
well, do you?
I tell you, I knew
believe in resurrection you?
believe in reincarnation you?
that leaves the option for us to return to the stardust
we cannot tolerate an ending
so all that we do know
so, just that you know,
so, should we care now?
the "noble" lie:
but maybe it's just
so here's the thing about Thomas Hobbes:
or is it
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS V:CROWS CIRCLING
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS VI:CULTURAL IMPERIALISM
Berlin, October 27th, 2004 - P#281
damn those damn imperialists
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS VII:PERFECTION
Berlin, November 7th, 2004 - P#282
there's no perfection
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS VIII:THE CURSE
Berlin, November 9th, 2004 - P#283
the past as a curse
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS IX:POETRY
Berlin, November 9th, 2004 - P#284
doing things with words
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS X:FREE AT LAST
Berlin, November 11th, 2004 - P#285
the moment's gone
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS XI:DEPRESSIONS
Berlin, November 12th, 2004 - P#286
I saw a woman today
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS XII:CHILD'S PLAY
Berlin, November 12th, 2004 - P#287
riding on the train
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS XIII:NOVEMBER
Berlin, November 12th, 2004 - P#288
everyone always complains
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS XIV:PRACTICAL USE
Berlin, November 12th, 2004 - P#289
something you cannot make practical use of
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS XV:MY BEARDED SELF
Berlin, November 20th, 2004 - P#290
my bearded self looks different
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS XVI:PHONE FREE
Berlin, November 27th, 2004 - P#291
left my cell at home
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS XVII:FANCY-FREE
Berlin, December 13th, 2004 - P#292
freedom's a strange thing
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS XVIII:FANTASY
Berlin, December 13th, 2004 - P#293
sometimes
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS XIX:THEORY
Berlin, December 13th, 2004 - P#294
there are times
the intentional distortion
the unwavering attempt
the notion of playfulness
but when I want theory
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS XX:FREEDOM FROM WANT
Berlin, December 14th, 2004 - P#295
how could we not want
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS XXI:COLD CITY
Berlin, December 14th, 2004 - P#296
does not the city
people encroached
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS XXII:MIRROR
Berlin, December 14th, 2004 - P#297
in a city of glass
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS XXIII:SERENADE
Berlin, December 14th, 2004 - P#298
how I want my words be serenades
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Phil John Kneis:
आत्मन् (ATMAN) - PROSPECTS XXIV:VOCATION
Berlin, December 18th, 2004 - P#299
sometimes
sometimes
sometimes
sometimes
some things
some things
some things
some things
some things
some things
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Phil John Kneis:
SYLLOGY XXVII:आत्मन् (ATMAN) - PROSPECTS XXV:
Eichwalde / Berlin / Roma, May 5th, 2005 - April 22nd, 2006 - P#300
EXPOSITION:
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INTRODUCTIONL a r g h e t t o, 3/4 time
I'm gone since I lost you
but all so has failed me
the power I gave you
whenever now see we
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Nr. 1. SCÈNE. MELANCHOLIA
what shall I say
word games
do I cultivate reality
there's a difference
as can't I be Helios
so,
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Nr. 2. VALSE JOYEUSET e m p o d i V a l s e
one two three one two three one two three one two three
turns it all turn we all shifts now the world around
move now from side to side, waltz now around in cheer
fear not, 'tis day to come, fear not, no monsters come,
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Nr. 3. SCÈNE. MEMETIC FRENZY
something wants break out wants shake out wants take out (or fake out?) its way and its run and its course now seems set not, just out wants it go, just outside now drives it and breaks it the shakes it the takes it the borders and fakes them unmakes them and breaks it them
down
in a shadow of wind? unbottled and unplugged
see the madness see the craze see the words: they write themselves, yes, the writer's the slave of their words here so quite! and the words, are they ready? breaking free? well, haven't they done enough already, stayed in their housings and all...
ha!
I can shake off soberness by simply shaking! it seems but still, we ain't quite unobstructed, they tell me no, not voices never voices little shapers little movers but never voices never no never never again?
we're back! memes
those but expecting
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Nr. 4. SCÈNE. INSOMNIA
I've killed my self tonight
however we may ridicule a destiny
seek I pleasure just
was it so bright
writing is madness
so how could I not
inside the text the memes built quite? |
Nr. 5. SCÈNE. PLEA
I want you
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Nr. 6. SCÈNE. REMINDER
you know
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Nr. 7. MARCHE. HEARTBEAT
goes the beating
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Nr. 8. SCÈNE. NELLA CITTÀ
e per sì
the fiction may end now
so
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Nr. 9. VALSE CYNIQUET e m p o d i V a l s e
one two three one two three one two three one two three
turns it all turn we all shifts now the world around
move now from side to side, waltz now around in cheer
fear not, 'tis day to come, fear not, no monsters come,
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NR. 10. SCÈNE. PIECES
pick up the pieces we
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NR. 11. SCÈNE. INCITER
drunk'ness
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NR. 12. SCÈNE. EPIPHANY
see I here now:
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NR. 13. TANGO POETRY
goes now, goes the step, walks the step
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NR. 14. SCÈNE. LOST
I'm lost
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NR. 15. DANCE 1: RHYTHM
some say
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NR. 16. DANCE 2: THUD
just a strike
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NR. 17. DANCE 3: DRIVE
forward now
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NR. 18. TECHNO-CHACHA-DISCO-JIVE, QUICKLY STEPPED
one two three four
if want I
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NR. 19. DIONYSIAN WRITING
sometimes
shall bottle you in
oh, how I fear
sometimes, diplomacy
yet not in art yet not in life
(yet sometimes,
(what sets you free
what kind of price tag
oh, how can it be:
(nullum magnum ingenium sine mixtura dementiae fuit)
could an artist, though perturbed,
want pretend we
an animal
the truth
ha! ta ta for now ? |
Nr. 20. VALSE ÉTERNELLET e m p o d i V a l s e
one two three one two three one two three one two three
turns it all turn we all shifts now the world around
move now from side to side, waltz now around in cheer
fear not, 'tis day to come, fear not, no monsters come,
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SCÈNE FINALE
whenever now see we
even if wished we
and after all is said and done
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